Three At A Table For Two - Doris Day 

Sunday, 30 December, 2012, 05:55 - Singles Released Before 1960, Single Covers, Not Safe For Work
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Cover Artwork Remix of Doris Day 3 At A Table For 2 Original Cover Artwork of Doris Day 3 At A Table For 2 This must be one of the oldest songs we've remixed here at AllBum.Art. Three At A Table For Two was sung by forces darling Doris Day in 1940. The original cover sees Ms Day smiling sweetly, but where is the table, and who is the interloper making the company a crowd? The remix, quite vividly, shows the situation. Two people were sat at a table having a nice cup of coffee together when along comes some gregarious girl and sits down between them getting in their way. Very distracting we would imagine.
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Christmas Rappin' - Kurtis Blow 

Saturday, 15 December, 2012, 12:13 - Single Covers, Singles Of The 1970s, Special Remixes, Christmas Crackers, Not Safe For Work
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Original Cover Artwork of Kurtis Blow Christmas Rappin Can you believe that Kurtis Blow released this single in 1979. It is said by some people to be the first rap song ever released on a major record label. Whatever the true story, Christmas Rappin' is one of those songs that is always on the radio through the Holiday season. The cover for Mr Blow's single is, on the other hand, something that you would not want to see every season. First of all, it's a bit boring. But most of all, the bright red spots on the dull green background is, if you stare at it long enough, enough to make you go mad. Whether this was intentional is unknown. Perhaps it was meant to look like holly berries on a holly tree, but it doesn't. It looks like a sanity test from a mental asylum. Stare at it for a while, then close your eyes. Now, isn't that better?

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Cover Artwork Remix of Kurtis Blow Christmas Rappin The main thing missing from the cover of Mr Blow's single is anything that needs wrapping or indeed unwrapping. To the psychedelic red-spots-on-a-green-background effect has been added a picture of a young lady who, it seems, is in the process of being unwrapped. How can you tell she is being unwrapped and not wrapped? In reality it is difficult, however the extent to which the wrapping paper is ripped suggests that it has been removed in an incoherent fashion, perhaps too quickly, suggesting that the person doing the unwrapping was over keen to get to the present that awaited underneath the paper. Christmas rappin' or Christmas rippin'? You decide.

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Call Me - Spagna 

Monday, 10 December, 2012, 12:23 - Single Covers, Singles Of The 1980s, Busty, Not Safe For Work
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Original Cover Artwork of Call Me Spagna What would you know? Blondie were not the only band to have a hit with a song called Call Me in the 1980s. Italian pop princess (or weirdo by the look of her) Spagna (short for Spaghetti with Lasagna apparently) had a song of the very same name. It seems rather possible that the people responsible for producing the cover art for Spagna's song were as hopeless as those responsible for the artwork for Blondie's song as, guess what, there is no telephone in sight. How are we supposed to call Spaghasagna to tell her that she is supposed to eat pasta, not use it as some kind of hair product? It may also be the case that she has used Bolognese sauce for lipstick and as for the rest of her make-up, clearly Italy was not the place to be for good looking women in the late 80s.

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Cover Artwork Remix of Call Me Spagna The new cover for Spagnettina (or whatever she is called) now has the critical factor in that the lady in the picture is holding a telephone in her hand. She appears to be listening to something - perhaps someone has left her a voicemail message. What is a bit odd, is the fact that all her clothes appear to have fallen off. Either that, or she never put any clothes on in the morning. Perhaps she has bad amnesia and the call is from her boyfriend (looking like that she must surely have one) to remind her to get dressed before dashing out of the house to go and work in the local restaurant. Whatever, we should probably be grateful for her amnesia otherwise we would not have this view of her magnificent boobs. Is there any other word for them?

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(Let Me Be Your) Teddy Bear - Elvis Presley 

Saturday, 1 December, 2012, 12:29 - Single Covers, Singles Released Before 1960, High Heels, Teen, Not Safe For Work
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Original Cover Artwork of Teddy Bear Elvis Presley (Let Me Be Your) Teddy Bear was a hit for Mr Elvis Presley in 1957 where it remained in the number 1 chart position for 7 weeks. The cover for the single features a happy and smiling Mr Presley holding up a teddy bear, with the clear intimation that Mr Presley himself is to be cuddled in the same fashion. Or perhaps it is meant to insinuate that Mr Presley is small and furry. Or that when he gets older he will become big and angry and attack tourists in the forests of Canada. As to the latter, we shall never know as sadly Mr Presley sadly passed away before he had a chance to move to Canada to live in the forest.

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Cover Artwork Remix of Teddy Bear Elvis Presley Mr Presley would surely approve of the revised version. Be honest now, how many hot blooded males who live in Memphis, would not like to be this particular girl's teddy bear? Although, having said that, the way she seems to be dragging it along behind her perhaps indicates a little disrespect for her furry friend. Or perhaps she is is just very tired, and is on her way to bed and hasn't got the strength to carry him properly. It is clear that she is heading to the bedroom, as her outfit (or lack of it) would clearly be unsuitable for any other room of the house, or outdoors for that matter.

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Feels Like I'm In Love - Kelly Marie 

Friday, 23 November, 2012, 12:08 - Album Covers, Albums Of The 2000s, Single Covers, Singles Of The 1980s, Lingerie, Not Safe For Work
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Original Cover Artwork of Kelly Marie Feels Like Im IAlthough this cover has been filed under '1980s singles', the actual album art that has been modernized is from the 2006 'Best of' album which also happens to have the same name as Kelly Marie's most famous single, 'Feels Like I'm In Love'.

The original single cover from the Scottish songstress is rather more plain than this one in which a late 70s/early 80s style model is pictured lying on red satin sheets in a see-through bra, stockings and strappy silver high heels. This is probably not Kelly Marie herself (though it could be), but a model brought (bought) in for the occasion.

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Cover Artwork Remix of Kelly Marie Feels Like Im Despite the cover being relatively raunchy, it has been further modernized by AllBum.Art to include a much sexier female model in a similar outfit and on the same red satin sheets. Unfortunately, her bra seems to have come of and, unless mistaken, it looks as if someone has begun pulling her panties down too, as they seem to be not quite where they should be. At least her stockings seem to be intact. She's also facing the other direction, perhaps she is left-handed and the original model is right-handed, or maybe it's the photographer that has the opposite handedness. Then again, who cares?

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Chic - Chic 

Thursday, 22 November, 2012, 12:46 - Album Covers, Albums Of The 1970s, Teen, Not Safe For Work
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Original Cover Artwork of Chic Chic The cover for Chic's imaginatively titled 1977 debut album 'Chic' has on its cover two sultry looking ladies blowing referee's whistles. The ladies concerned are typical of the disco divas of the time being in their twenties and having long hair. What they are wearing is unknown as there is nothing in the picture to indicate that they are wearing anything at all. The inclusion of the referee's whistles is believed to represent a juxtaposition between the distunality of the sound they produce with the tonality of the groovy disco music that is contained inside the sleeve of the record. Either that, or people just liked to blow whistles at discos in the 1970s (much more likely).

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Cover Artwork Remix of Chic Chic Things have moved on since the 1970s and ladies who attend discos are now much younger than they used to be. In fact the term 'ladies' no longer really applies and 'girls' is a more common and arguably more accurate description. Of course there are far more derogatory terms in use but there is no need to repeat these. In the revised album cover the question of what is being worn has been answered and it is clear to see that the girl (whose age now more accurately reflects those of modern disco-goers) is, in fact, wearing next to nothing. The air of mystery has been retained by cutting the picture of at the waist so that it is not clear whether she is just topless, or whether she is, in fact, completely naked.

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