Whoa - this is going way back in time to 1953 - for the remix of the original cover artwork for She Wears Red Feathers (And A Huly-Huly Skirt) by Guy Mitchell. On the original cover we find Mr Mitchell smiling nonchalantly but no sign of anyone wearing any kind of feathers or huly skirt. On the remix we find a babe who is wearing lots of red feathers and if that is what counts as a huly-huly skirt, it's no wonder it didn't make the original cover in 1953. Scarlet!

When Michael Bolton put together the original cover artwork for his album Vintage, it seems that his one guiding principle was to ensure that his face was front and center, no doubt reflecting his aging years and vintage status. Or perhaps the album was meant to be called Visage, not Vintage. Anyhow, on the remix we find a babe in vintage lingerie standing in front of a vintage automotive traction vehicle. Definitely vintage and not visage. Retro!

We can see what 10cc were trying to do with the original album cover artwork for Sheet Music, as they have pulled in the border surrounding the picture of the band members into the middle of the cover to make it look as if it is a sheet. Nice try. On the remix we just find a babe resting underneath a sheet, ready, or so it would seem, to make sweet music, though we can't see what instrument she plays. Flute!

Apparently, Love Comes Quickly when you wear a hat with the word 'Boy' on it, at least that is what the original single cover artwork by the Pet Shop Boys tells us. On the remix, not a great deal has changed, except that instead of there being a boy wearing a hat with the word boy on it, it's now a babe who has her baseball cap on. It seems her t-shirt may also have the word boy on it, but it's difficult to read as she has it pulled up to reveal her stomach. Tummy!

It seems, if the original single cover artwork for Lethal Industry by DJ Tiesto is to be believed, that what proves deadly in an industrial environment is some hand-scrawled words on a page full of red and yellow blobs. On the remix we find an alternative view, and we can immediately see the danger. Some babe, who has forgotten her hard hat and other protective gear, is trying to turn a valve that will release deadly high pressure steam at her, and boil her on the spot. Danger!

Ring Ring Ring (Ha Ha Hey) is a song by De La Soul (talk about stating the obvious). The original single cover artwork suggests that the ring in question is one on the telephone. The remix suggests that the ring in question is possibly a wedding (or engagement) ring, as we find a bride gazing longingly into the distance with a large diamond ring sitting right in front of her. Maybe she has forgotten her contact lenses and can't see it. Hypermetropic!

It's October, so what more would you want to do with your days than become and October Swimmer, at least that is what JJ72 tell us. Sadly whilst they tell us that, they don't show us, as on the original single cover artwork we find just a blur of sludge. On the remix we find a babe who is swimming in October, and we know this because of the lovely sunset. Descending!

Let us briefly examine the original front cover artwork for Turn Me On my Kevin Lyttle. Is there any sign of anything that is, or could be, a turn on? For example, is there a switch or electrical actuator of any type. Seems not. On the remix this is solved as we find a babe whose profession is as an electrician. How do we know this? Look at the electrical board in the top left that she has obviously been working on. How do we know she has been working on this? She is all dirty and is holding some electrical cable. Shocking!

What shall we do This Summer? Why don't we sit on some deck chairs fully dressed and get a tan only on our faces? That is what Squeeze are suggesting we do, if the original front cover artwork of their single is to be believed. On the remix we find a different view of this summer, which largely consists of five busty babes standing on a beach in their skimpy bikinis. Maybe that is that summer, not this? There!

Is that a Dummy pictured on the original front cover artwork of this album from Portishead? It looks more like a zombie than a dummy, and the blurry nature of the shot doesn't help clarify the truth. On the remix the truth is much clearer, as we find a naked babe who is real, and another who is a dummy. Of course we have no idea if the real babe is also a dummy, or whether she is smart, but as she seems to be making out with a mannequin, we can only assume she isn't that bright. Stupid!