We give Jason Derulo one bonus point for remembering to put an apostrophe to replace the missing letter in the title of his single Ridin' Solo. However, we will take that point away as the original front cover artwork of his single gives us no indication of what it is that he is ridin'. On the remix we find a babe who is ridin' a horse solo. What is odd is that she is doing this whilst naked (other than her ridin' boots), though we shan't complain at that. Godiva!

It may be possible to determine, from the original front cover of the single Love Eviction by Quartz Lock Featuring Lonnie Gordon why there was some kind of expulsion of love going on. After all, Ms Gordon's t-shirt is revealing more than perhaps is necessary and that could have caused some kind of upset to the audience forcing them to evict their loved ones. On the remix this all becomes more obvious as a girl's boyfriend seems to have been found in bed with her mother (or grand-mother) so at least one of them (the boyfriend or the mother) is likely to be evicted. Expel!

That old reggae classic, You Can Get It If You Really Want, is the subject of today's AllBum.Art remix. On the original single cover artwork we tried our hardest to understand what you could get if you really wanted. Presumably something that you might not want, but only if you really want. Maybe that's the cigarette being smoked by Mr Cliff. On the remix we find a mature babe who is offering everything she has, but do you really want that? Really?

Raise Your Hands is what Reel 2 Real Featuring The Mad Stuntman ask us, or indeed tell us, to do. But oddly on the original single cover artwork, the two guys pictured are not raising their hands at all. Nor are either of them performing any mad stunts. On the remix we find a babe who is performing a mad stunt, by raising her hands whilst standing naked in a public place in front of a wall which is coated in graffiti. Crazy!

Although the original single cover artwork for Stand By Your Man shows Tammy Wynette in what is presumably a standing position, it shows no signs of the man of whom she sings as being next to her when she is standing. On the remix we find a babe standing close to her man. Not strictly by him in the closest sense of the word, but not far away either. Why she is naked and he is clothed is unknown, but we bet he's pleased that she chooses to stand by him in that way. Neighbor!

The Ace Of Spades - is this simply a playing card, or is it someone who is expert at digging? If we use the original album (and single of the same name) cover artwork to try and answer this question we find no more information, other than that the band members could probably use someone to help with their gardening. On the remix we find a babe who appears to be losing at cards, presumably strip poker as she is on her way to nakedness. Does she have an ace of spades? No. But she does have the four of spades in her hand. Handy!

Journey suggest that you can have it Any Way You Want It if, that is, you want a rainbow colored scarab flying towards a blue-black planet with a slightly twisted ring system. Obviously this is what the band wanted at the time, suggesting they may have been on some kind of hallucinogenic drugs. On the remix we find a babe lying on a hotel bed and by the look on her face, you really can have it any way you want it. Accept!

Let's Ch-Check It Out with the Beastie Boys. And what do we find when we do this, well none other than a rat singing into a microphone. So let's remix this cl-classic and on the re-remix we find two babes and a guy. The guy is looking at the second of the babes. The first of the babes is undressing the second of the babes and asking the guy to check it out. It's clear what he is meant to be checking on, it's more of a pussy than a rat. Seventies!

Reflections is Carly Simon's greatest hits album. On the original cover artwork we find Ms Simon grinning inanely at us. On the remix we find a couple of differences. Firstly the babe in the picture has a very clear reflection in the mirror behind her. Secondly, we thing she has some of the greatest tits that you could find on an album cover or two. So there you have it, two changes that quite literally matter not one bit, but make a big small difference to the quality of the resulting result.

Leon Haywood is not wrong when he says Don't Push It Don't Force It, because doing something like that could do serious damage. In his case the damage is to the original single cover artwork where the only thing that is being forced is Mr Haywood's face upon us. On the remix (and this falls into our XXX-rated remixes category) we find a man who is pushing it and forcing it, and a babe who is not very happy about that it appears that he may be pushing in the wrong hole for that kind of thing. Realignment!